HUNTSVILLE, Alabama - Huntsville sculptor Everett Cox was just 7
years old when he saw something that defined his future -- a thumbprint
in a cast bronze sculpture of a wolf.
"I realized 'somebody made
that,'" said Cox, remembering the moment he saw that mark on the
sculpture, one of a pair that graced the base of a staircase at the
Huntington Library and Botanical Gardens in California.Shop for high
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By
the age of 10, Cox was making his own toy soldiers with molten lead and
aluminum molds. Today, he creates sculpture in his studio and foundry
at Lowe Mill Arts & Entertainment.
Cox, 58, is probably best known for the nudes he casts in bronze. Their lifelike qualities are almost startling,Republic parking system
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Chattanooga, looking as if the metal could crack open and the real woman
behind the bronze could step out. Visitors to his studio,This is a
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tools are made. in fact, often ask him if he's seen one of the B-movies
about wax museums in which characters get dipped in wax and turned into
statues.
Creating these pieces, some of them life size, is far
more complex than that, despite Cox's modest statement that "it's not
that hard if you know a few things." For one thing, Cox is an engineer
of sorts who makes his own molds and even some of his own tools. He has
to bring architectural considerations to his works to make sure they'll
stand up under their heavy weight of bronze, the primary medium in which
he works.
He also does his own casting in a kiln set up at the
back of his garage-like space at Lowe Mill and understands the processes
and chemicals it takes to get bronze to look a certain color.
On
a recent afternoon, he was working on a bust of Zoe Knecht, the
stepdaughter of Susan Knecht, who has a glass-blowing studio at Lowe
Mill. "This gives me practice, keeps my hands in the clay," Cox said as
he pulled a stool outside his studio for Zoe, 16, to sit on. He likes to
work outside because the light is better and because people can see
what he's doing and possibly stop by and ask questions.
To
create any sculpture, Cox first builds an armature. That's another place
where the latent engineer crops up. Cox has to figure out the placement
of the metal rods on which he layers his clay. If it's a standing
figure, he has to weld pieces together that will support, say, the angle
of a leg. For a bust, he starts with a single straight rod topped with a
metal bar. He then works with extruded clay, an eighth of an inch in
diameter, layering in tiny bits until the image emerges.
"She
sits on a stool and I look at her," Cox said, explaining how he combines
the nuances of Zoe's personality and facial expressions into the bust
he's working on. "I lot of people presume (modeling for a sculpture) is
sitting there like a sphinx. We carry on a conversation, and I get to
know her."
On this afternoon, Cox is using those bits of clay
and a thin stick he made on his drill press to raise the angle of the
cheekbones on the clay model. "I just shove clay until it looks like
Zoe," Cox said.
Cox is carrying on an art form that dates back
centuries, even before written communication, said Casey Downing, a
fellow sculptor and Cox's longtime friend. The two met as college
freshmen at the University of Alabama in Huntsville. Cox went on to earn
his bachelor of fine arts at Auburn University and received his
master's degree, also in fine arts, from the University of Georgia.
Downing
said Cox is one of the best figure sculptors in the region and brings
an intimate quality to his work. "That's the difference between a really
nice portrait and a mannequin," Downing said. "There's something alive
about it if you've done your job right. There's a presence."
Downing
lives in Mobile, but he and Cox talk all the time to compare techniques
and talk about their work. Cox taught Downing how to do his own
casting, but that's something he has now turned over to an apprentice.
Casting
is a difficult and expensive process, with a single firing of the kiln
costing $600 in gas alone, Cox said.Totech Americas delivers a wide
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Doing
his own casting, however, is the only way Cox can control his work to
his satisfaction. Lowe Mill manager Marcia Freeland calls Cox
"meticulous."
Most of the figure sculptures Cox does are
commission pieces other than the ones he creates for himself. His many
art history classes inform his work, and he chooses nude figures for a
couple reasons.
First, the nude harkens back to the Greeks, who
perfected so many art forms. The nude figure "is also the human form
reduced to its basic bottom line," Cox said. By sculpting a nude figure,
he can make sure the form is correct and then can add clothing or other
elements to the work.
Sometimes, the nudes, from half to full
size, shock people who glance in his studio at Lowe Mill. The work,
however, "is not erotic at all," Cox said. "I'm not interested in that
at all."
While his figure sculptures are probably what he is
best known for, they're certainly not all Cox does. He recently
completed a commissioned bas relief panel of the Anunciation of Mary for
a parishioner at Saint William Catholic Church in Guntersville. On a
recent afternoon, a metal gate he made for another Lowe Mill artist was
leaning against the garage door outside his studio.
He also made
bronze replacements for the original and deteriorating ceramic frogs on
the sixth floor of the Terry Hutchens building in downtown.Welcome to
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Street, and you'll see them. He also created several cast iron pickets
for the Church of Nativity, Episcopal, to replace ones that were damaged
when a tree fell on them several years ago.
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